Part of an altar removed from St. John the Baptist Church lies in a dumpster, Northern Cambria, Pa., 2000.

In a powerful essay on the conservative vision of Edmund Burke, Roger Scruton writes:

Burke was of additional interest to me on account of the intellectual path that he had trod. His first work, like mine, was in aesthetics. And although I didn’t find much of philosophical significance in his Essay on the Sublime and the Beautiful, I could see that, in the right cultural climate, it would convey a powerful sense of the meaning of aesthetic judgment and of its indispensable place in our lives. I suppose that, in so far as I had received any intimations of my future career as an intellectual pariah, it was through my early reactions to modern architecture, and to the desecration of my childhood landscape by the faceless boxes of suburbia. I learned as a teenager that aesthetic judgment matters, that it is not merely a subjective opinion, unargued because unarguable, and of no significance to anyone besides oneself. I saw—though I did not have the philosophy to justify this—that aesthetic judgment lays a claim upon the world, that it issues from a deep social imperative, and that it matters to us in just the way that other people matter to us, when we strive to live with them in a community. And, so it seemed to me, the aesthetics of modernism, with its denial of the past, its vandalization of the landscape and townscape, and its attempt to purge the world of history, was also a denial of community, home, and settlement. Modernism in architecture was an attempt to remake the world as though it contained nothing save atomic individuals, disinfected of the past, and living like ants within their metallic and functional shells.

Scruton later describes, from experience, the political and social result of the revolutionary drive to remake the world in accord with the ideology of the moment:

It was not until much later, after my first visit to communist Europe, that I came to understand and sympathize with the negative energy in Burke. I had grasped the positive thesis—the defense of prejudice, tradition, and heredity, and of a politics of trusteeship in which the past and the future had equal weight to the present—but I had not grasped the deep negative thesis, the glimpse into Hell, contained in his vision of the Revolution. As I said, I shared the liberal humanist view of the French Revolution, and knew nothing of the facts that decisively refuted that view and which vindicated the argument of Burke’s astonishingly prescient essay. My encounter with Communism entirely rectified this.

Perhaps the most fascinating and terrifying aspect of Communism was its ability to banish truth from human affairs, and to force whole populations to “live within the lie,” as President Havel put it. George Orwell wrote a prophetic and penetrating novel about this; but few Western readers of that novel knew the extent to which its prophecies had come true in Central Europe. To me it was the greatest revelation, when first I travelled to Czechoslovakia in 1979, to come face to face with a situation in which people could, at any moment, be removed from the book of history, in which truth could not be uttered, and in which the Party could decide from day to day not only what would happen tomorrow, but also what had happened today, what had happened yesterday, and what had happened before its leaders had been born. This, I realized, was the situation that Burke was describing, to a largely incredulous readership, in 1790. And two hundred years later the situation still existed, and the incredulity along with it.